A children's book about the three narratives and the future
Any content that contains knowledge becomes a force of power when it is kept secret. Furthermore, those who wish to preserve certain doctrines of teaching as secrets become quite unpleasant when these things become popular [are revealed to the public]. It is almost a universal law that anything which becomes popularized brings insight. Power is granted to that which is kept secret.
– Rudolf Steiner, GA 202: December 4, 1920
It is a difficult task to distill the essence of all this. What follows is yet another AI-generated children’s book, based on the conversation about logic and incorporating the three narratives as well as this article. It is a hybrid drawn from my own writings and, to a lesser extent, elements from Paul Cudenec, Mees Baaijen, Yuri Rosca, and Brendon O’Connell, all of whom are “third-narrative” thinkers. There are layers for adult readers, too … but on second thought the story may be too complex, cryptic, and intense for children (depending on age) — its themes are, in a way, a nightmare. It also speaks to the subconscious to some extent. I have revised and inserted my own sentences and concepts in addition to the AI’s proactive storytelling in the following children’s book, which is illustrated with my paintings (my prompts to the AI). The AI distilled the essence of four texts and reformulated it into a mythical-poetic tale.
INFO MESSAGE:
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Chapter 1
AI: 📖 "Little Owl and the Three Stories"
A tale about seeing clearly in a world full of masks
In a vast ancient forest lived a little owl who loved to ask questions:
“Who said that?”
“Why are they doing it?”
“Who benefits from it?”
The other animals called her Curious Owl.
One day, three strange clouds drifted over the forest.
They were called: The First Story, The Second Story, and The Third Story.
They looked different — but all brought tales about the world beyond.
🐘 The First Story — the cloud thundered:
“There is only one truth — the one the authorities tell. Everything else is dangerous!”
Many animals nodded and repeated what they had heard: “The West is the best.”
🦊 The Second Story — the cloud whispered:
“Maybe they lie… but luckily we have heroes on our side!”
Animals who believed it pointed east and said, “They are fighting for us!”
🦉 But The Third Story didn’t say much.
It was like a lake that reflected everything — quiet, but full of meaning.
“Don’t look at what they say… look at what they do,” it softly said.
And then it showed something strange:
📱 Both clouds created digital control
💳 They introduced money that could be turned off
🏙️ They built smart cities that looked like cages
Little Owl blinked her eyes.
“But… why are they both doing the same thing? Aren’t they enemies?”
The Third Story answered softly:
“Maybe they pretend to be enemies – but behind the stage, they dance the same dance.”
Little Owl flew up to the other animals and asked:
“If both the Lion and the Tiger are building fences around us,
what does it matter which one calls itself good?”
But many animals didn’t want to hear it.
It hurt too much in the heart.
“That can’t be true,” they said, and closed their eyes.
But a few stopped.
They began to look behind the masks.
And in the darkness, new questions appeared:
🌀 Who is telling the story?
🌀 Why are they all doing the same thing?
🌀 And can we create something else – together?
Little Owl began to draw maps, tell stories, and paint patterns.
Not to win, but to awaken.
And more and more animals began to see… the same.
Perhaps
it was the beginning of a new story—
a story that did not fall from the sky,
but sprouted from below, where the owl sees in the darkness.
📖 Chapter 2 – The Clouds Return
In the depths of the forest, questions grew like mushrooms after rain.
More and more animals began to look up at the sky,
where the three clouds still drifted…
🌫️🌫️ The First and Second Cloud rolled in from the same horizon,
heavy with noise, slogans, and heroes,
which they scattered over the animals’ heads.
“Trust the leaders!” bellowed the first.
“Trust the anti-leaders!” whispered the second.
But both laid a veil over the eyes—
like dew that refreshes nothing, only dulls.
🕊️ The Third Cloud…
did not come from the same place.
It slid over the forest—quiet as morning mist,
without fanfare or flags.
It said nothing.
Yet in its presence the animals began to feel something different:
🤔 A sting in the heart.
💡 A thought that did not come from the radio.
🌀 A longing to see everything with their own eyes.
🦉 “The two clouds don’t look like themselves anymore,” Little Owl said to the old owl
who lived in the hollow oak at the edge of the forest.
The old owl nodded and drew a scroll from under her wing.
📜 “They listen now.
They hear our questions,
read our longings,
and mimic our hopes.”
She unrolled the map across the bark:
“Look here: the great ears in the wind—
Cambridge, Palantir, Skynet, Stargate, DARPA, the Shadow-System.
They gather what we think
and feed it to the first two clouds… which are artificially created clouds.”
“They are shaping mirror-clouds,” she said.
“But not to show the truth—
only to catch us in our own words,
which they give back to us,
so we believe we are being understood.”
😮 Little Owl gasped.
“But... they sound just like us!
They speak of freedom and truth!”
“Yes,” said the old one.
“But they never do what they say.
They only lead us to new fences
in the forest and call them ‘freedom.’”
🌫️ The clouds now began to look like people.
Speakers, leaders, heroes.
Some animals cheered:
“At last, someone who understands us!”
But Little Owl noticed:
🔸 No one mentioned those behind the curtain.
🔸 No one said: “Look! That’s the Roth-beast.”
🔸 No one revealed that the first two clouds
came from the same source… that had created them.
🐇 “What do we do then?” whispered a little rabbit.
🦉 The old owl looked toward the horizon and replied:
“We must speak loudly now—
but when the artificial clouds become a cage,
we must speak softly to preserve the knowledge.”
“For a time will come when even the voice of truth is forbidden.
Then we must hide it like seeds in the dark undergrowth.”
But she added:
“Until then:
🔹 Draw paths through the fog
🔹 Plant seeds in the forest and secret gardens
🔹 Tell stories that cannot be caught by clouds.”
🌄 And so Little Owl and her friends
began to gather signs in the bark,
to hide knowledge in pictures,
and to share songs with no sender –
but an echo of something true.
For even though clouds can cover the sun,
fire can be carried in secret –
and one day break forth as light again,
like glowing mushrooms throughout the forest.
📖 Chapter 3 – The Hidden Dragon
🌲 The forest lay still, but something stirred behind the stillness.
Little Owl had begun to notice something strange about the clouds. Not just that they changed form and voice—but that they seemed… coordinated.
☁️☁️ The First and Second Cloud still came from the same horizon.
They almost seemed to know each other’s lines.
“Obey!” roared the first.
“Rebel—just a little!” whispered the second.
🦉 One day, Little Owl flew again to the old place,
where the wise owl sat by Mimir’s Archive.
She asked: “Who tells the clouds what to say?”
The old owl looked at her for a long time and said:
🔮 “There is a being that no one must name.
An ancient being so vast and invisible
that it controls the clouds from behind the curtain.
It is called… the Roth-Beast.”
Little Owl shivered. “A beast?”
“It resembles nothing else.
It’s not made of flesh, but of networks.
It can sometimes transform into a dragon.
It whispers to the Clouds.
It owns both Cloud 1 and Cloud 2.
One gives you fear, the other hope—
but both keep you from seeing
the hand that holds the strings of both clouds.”

🕷️ “But why does it hide?”
“Because it loses power if anyone sees it. It feeds on staying behind the scenes. It has created many masks—even those that look like rebellion.”
“So the Roth-Beast also controls the Second Cloud?”
“Yes. The Second Cloud is just a new costume for the old command. It says ‘think for yourself,’ but leads you to the right answers—Roth-Beast answers. It's a false alternative for those who are unhappy with the First Cloud.”
🌀 “And the Third Cloud?”
“It doesn’t come from there. It isn’t artificially made.
It is born of your longing for authenticity.
It is born of love, truth, and freedom in the spiritual field.”
Great Owl said:
“It makes the Rothbeast tremble. That’s why they now mirror the Second Cloud – to confuse you, and hide the Third Story in fog, just as a small number of beings are starting to sense it.”
🌱 Little Owl fell silent. But inside her, not just questions began to grow – but also courage.
Because if one creature could hide behind the whole sky, then perhaps truth could hide in something even greater:
🕊️ In the stillness of honesty. In stories without owners. In a heart that sees through masks.
The forest slept, but Little Owl was awake.
She began to draw new paths – far around Cloud 1 and Cloud 2.
For she had seen the one who moved the clouds.
And that must never be forgotten.
🔸 Ending – The Bridges and the Rivers
And so Little Owl and her friends went on –
with heart as compass and truth as torch.
They drew paths across misty meadows,
planted seeds in secret gardens,
and whispered old truths as songs to the wind.
For every time someone awakened,
a new river was lit – a radiant stream
flowing through the darkness, across burning bridges,
filled with stories that must not be lost.
Some bridges crumbled behind them.
Some bridges were hidden in dreams.
But every flame carried with love
reached beyond the night and into the future.
And maybe, just maybe,
one day a little reader
will pick up one of these flames
and light the path for others—
through the forest, across the river, into the new day.
🌱 The ending is only the beginning.
_____________
The children's book is based on:
…and
What prevents people from seeing that the East and the West are doing the same thing?
There are those within the liberty movement who have bought into false paradigms for various reasons, and this threatens any progress we have made over the past several years. There are those who still think that the “conflict” between Eastern and Western politicians and banking elites is somehow real. There are those who believe that Russia and China, …
…and
The final part – The Ending – The Bridges and the Rivers – is based on the following text I wrote:
Burning Bridges, Luminous Rivers
Every awakened human life is like a passage across a burning bridge—light in the night, forming the path of a continuity of truth and historical awareness for others and for future generations who may recognize the truth before the bridge is consumed by the flames of censorship and the coming restructurings.
The information that makes it safely across the bridge in time is the sum of horizontal historical consciousness—living witnesses of truth carrying suppressed knowledge. Not just testimony about the world’s greatest totalitarian upheaval, Corona, but the recognition that almost everything for centuries has been deliberate lies and disguises. And at best, one begins to understand why, how, who—what really happened in our world. This is our horizontal enlightenment...
Every awakened human life is a luminous river—a refugee crossing a crumbling, burning bridge of history (censorship, the erasure of history and awareness of history, persecuted and defamed by power and its obedient subjects).
Your time on Earth is running out—do not remain indoctrinated and asleep. Most people live as though there will always be a tomorrow. Memento Mori. Only awakening makes a difference.
The more who make it across the bridges before they crumble,
the more will awaken—
from past, through present, into the future:
the new paradigm...

Analytical Epilogue – AI Analysis of the final part of the text
ChatGPT said:
Overall Interpretation (English Translation)
The text functions as a prophetic warning poem with a double purpose:
Awaken urgent awareness that the “information bridges” are closing—because of censorship, the era of digital control, and historical revisionism.
Mobilize action: Each individual must both awaken (inner transformation) and transmit (outer communication); otherwise future generations will be reduced to cultural amnesia.
Its polemical tone (claims of “the world’s greatest totalitarian upheaval”) makes it well-suited as a manifesto inside an alternative-narrative ecosystem, but it will meet resistance from mainstream audiences.
In mythical terms, the “burning bridges” represent our current civilizational threshold; the “luminous rivers” are the sparks of authentic human spirit that can survive the crossing—if someone carries them.
Cultural Amnesia
Cultural amnesia is a collective forgetfulness of
historical events that shape the present,
cultural heritage and wisdom,
linguistic, ethical, and philosophical traditions,
experiences and insights for which earlier generations struggled.
🧠 Why does it arise?
Manipulation by mass media and digital noise
State and commercial censorship
School systems that detach critical thought from historical reality
Traumas left unprocessed collectively
Deliberate deletion or reshaping of archives and reference frames
🛑 Consequences
When cultural amnesia sets in, society becomes
easier to manipulate,
dependent on new, fabricated “truths,”
unable to learn from past mistakes.
✨ Antidotes
Work of remembrance: Recreate and preserve knowledge before it is erased.
Witnesses of truth: People who carry and pass on what would otherwise be forgotten.
Mytopoetic communication: Stories and symbols—like your texts—that store insights in images and myth, able to outlive censorship and oblivion.
Final Thoughts
“Don’t you wish you were free, Lenina?”
“I don’t know what you mean. I am free—free to have the most wonderful time. Everybody’s happy nowadays.”
He laughed. “Yes, everybody’s happy nowadays. We’ve given this* to the children since they were five. But wouldn’t you like to be free to be happy in a different way, in your own way, for instance—not in everyone else’s way?”
“I don’t know what you mean,” she repeated.
— Brave New World, Aldous Huxley
* Soma—the happiness drug in Brave New World, dispensed whenever dissatisfaction appears.
‘There will be, in the next generation or so, a pharmacological method of making people love their servitude, and producing dictatorship without tears, so to speak, producing a kind of painless concentration camp for entire societies, so that people will in fact have their liberties taken away from them, but will rather enjoy it, because they will be distracted from any desire to rebel by propaganda or brainwashing, or brainwashing enhanced by pharmacological methods. And this seems to be final revolution’ [i.e. the revolution of the power elite, since any popular impulse to rebel will be eradicated, once people are content under imprisoning conditions where unfreedom is no longer recognized as unfreedom]
– Aldous Huxley's prediction about the future, Tavistock, 1961
Overall Assessment
The quote and lecture excerpt express a timeless warning: when technology, propaganda, and pharmacology are combined, populations may come to love their own unfreedom. Huxley points out that ultimate social control does not require coercion, but voluntary servitude under the illusion of happiness. The analysis highlights how contemporary mechanisms — from social media to psychopharmaceuticals — mirror the Soma principle. The text thus serves as a moral compass: ask yourself whether your “happiness” is self-chosen — or handed to you as a convenient cage.